As World War II ended and millions of service members returned home, the Veterans Administration faced the major challenge of not just delivering benefits and medical care, but also ensuring broad public awareness of these programs. Congress had passed numerous forms of assistance for Veterans during the war and, in 1946, President Harry S. Truman directed General Omar N. Bradley, the newly appointed VA Administrator, to modernize VA’s delivery of its services.
Confronting the agency was the task of coming up with highly effective ways to communicate benefits information and explain to Veterans how they could take advantage of what they had earned through their military service. Previously, the agency had devoted little effort to disseminating benefits information on a regular, nationwide basis.
Before and during the war years, no other medium had been more influential in keeping the American public informed than radio. In addition to extensive news coverage, many radio broadcasts brought entertainment and tributes to troops around the world and those on the home front. To VA, radio seemed a surefire way to reach a mass audience of Veterans with important information about benefits and services. However, to gain maximum exposure and hold the listener’s interest, the approach had to be novel and unique enough to rise above common everyday public service messaging.
The VA Public Relations office in Washington took on that challenge. Its director of Radio Service at the time was Joseph L. Brechner, a savvy broadcast executive who had brought his talents to the agency after the war. Using his industry connections, Brechner took an innovative path involving the cooperation of the Advertising Council, the American Federation of Radio Artists, and the national radio networks.
He decided to produce weekly 15-minute programs that carried VA’s public service messages within what were mini versions of some of America’s most popular radio shows. Each broadcast would be high quality and custom-made for broad audience appeal and to convince stations across the country to place it on their schedules. And, so, Here’s To Veterans was born. The first series of programs premiered in mid-1946 with distribution to nearly a thousand stations on 16-inch vinyl discs, known as transcriptions.
For the first several years, the program featured giants of the entertainment industry, including Milton Berle, Fibber McGee & Molly, Jack Benny, and Dinah Shore. It quickly became one of the most successful public information campaigns ever undertaken by a federal agency. The unique content of each show boasting the participation of so many well-known popular entertainers also marked it as a signal moment in radio history.
The life of Here’s To Veterans as an agency public information vehicle did not end even after its postwar mission had been largely achieved. In the 1950s, it transitioned into a program with much the same format, but now devoted entirely to popular music featuring well-known recording artists.
Under a special arrangement with the American Federation of Musicians and Capitol Records, stars like Nat “King” Cole, Jo Stafford, Stan Kenton, and Les Paul not only performed some of their latest releases, but also served as the hosts, voicing VA benefits messages. Now aimed at reaching Veterans of the Korean and Vietnam Wars, Here’s To Veterans provided a way for radio stations to present an entertaining program coupled with public service information for their listeners.
For a brief period in the late 1970s, VA reissued a series of its original programs with fresh message content, capitalizing on an industry trend at the time—broadcasts from the “Golden Age of Radio.” Finally, in 1981, the last pressings of Here’s To Veterans were released as the agency shifted to more contemporary means of disseminating public service messages on radio and television.
Today, the complete 35-year series with over 1,800 programs are housed at the National Archives. Copies that survive are avidly sought by collectors, and downloads can be accessed on internet sites specializing in programs from radio’s most memorable era. In that sense, the program lives on, illustrating its success as a highly effective and creative means of outreach to the Veteran population.
By Donald R. Smith
Associate Deputy Assistant Secretary for Public Affairs (Retired)
Share this story
Related Stories
History of VA in 100 Objects
Object 90: Pearl Harbor Unknowns Marker
Seamen 1st Class Raymond Emory survived the attack on Pearl Harbor. Decades later, his research and advocacy led the government to add ship names to the markers of the Pearl Harbor unknowns interred in the National Cemetery of the Pacific.
History of VA in 100 Objects
Object 89: VA Film “You Can Lick TB” (1949)
In 1949, VA produced a 19-minute film titled “You Can Lick TB.” The film follows a fictional conversation between a bedridden Veteran with tuberculosis and his VA doctor, dramatizing through brief vignettes the different stages of TB treatment and recovery.
History of VA in 100 Objects
Object 88: Civil War Nurses
During the Civil War, thousands of women served as nurses for the Union Army. Most had no prior medical training, but they volunteered out of a desire to support family members and other loved ones fighting in the war. Female nurses cared for soldiers in city infirmaries, on hospital ships, and even on the battlefield, enduring hardships and sometimes putting their own lives in danger to minister to the injured.
Despite the invaluable service they rendered, Union nurses received no federal benefits after the war. Women-led organizations such as the Woman’s Relief Corps spearheaded efforts to compensate former nurses for their service. In 1892, Congress finally acceded to their demands.
